Feminine versus Masculine: The Dichotomies of Movement in Spanish Flamenco
Document Type
Article
Source of Publication
International journal of humanities and social sciences
Publication Date
4-18-2016
Abstract
The article is devoted to analyzing gender-related division of movement in flamenco dance. The primary dichotomy: feminine/masculine is a starting point for isolating other crucial binary oppositions: chaos/order, submissiveness/domination, etc. The aim of this article is to illustrate how a gender-specific use of dance techniques reveals Andalusian habitus. Through an anthropological reading of flamenco dance, the condition of masculinity and femininity in Southern Spain can be displayed.
Volume
2
First Page
527
Last Page
535
Disciplines
Social and Behavioral Sciences
Recommended Citation
Wieczorek, Marta, "Feminine versus Masculine: The Dichotomies of Movement in Spanish Flamenco" (2016). All Works. 1666.
https://zuscholars.zu.ac.ae/works/1666
Indexed in Scopus
no
Open Access
no