ORCID Identifiers

0000-0001-5503-4214

Document Type

Article

Source of Publication

European Journal of Fine and Visual Arts

Publication Date

9-24-2024

Abstract

The UAE is rapidly transforming into a global cultural hub with the establishment of prominent institutions such as the Sheikh Zayed National Museum, the Louvre, and the Guggenheim in Abu Dhabi. Sharjah hosts the Exposure International Photo Festival and an art biennale, with a historic district featuring numerous museums and galleries. Dubai is home to Art Dubai, a leading international art fair in the Middle East, and recently hosted the World Expo and COP28. These developments not only highlight the UAE as a dynamic business hub driven by the petroleum and energy sectors but also position it as an attractive destination for arts and culture. Such rapid changes prompt artists to contemplate issues beyond the visible in the progressing world around them. This paper argues that there is a process of internalization of thoughts and feelings occurring within young artists of the region and transfiguration to art due to such built environment alternation within a bourgeoning social and cultural landscape. More specifically, it elucidates the trajectory of the UAE’s artistic development by analysing recent art projects by Aysha Al Dhaheri, Mariam Al Mansoori, and Sara Alqardaeai. The objective is to analyse the conceptual and contextual frameworks and approaches employed by these emerging artists as they navigate ‘intangible places,’ tackling concepts of the body, loss, memory, and healing within the evolving social and cultural landscape of the region.

ISSN

2976-744X

Publisher

European Journal of Fine and Visual Arts

Volume

2

Issue

3

First Page

1

Last Page

15

Disciplines

Art Practice

Keywords

Body, healing, memory, visual arts

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

Indexed in Scopus

no

Open Access

yes

Open Access Type

Gold: This publication is openly available in an open access journal/series

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Art Practice Commons

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